8/8/2023 0 Comments Skate kitchen night moves more![]() I asked the pair about what it’s like to be women in the skate world, and Maddy paused as she chose her next words carefully. Regular shoes don’t give as much ‘board feel’ and make for much less control over the skateboard, and these are women who would know. Real skate shoes aren’t just any old runners or sneakers, but shoes with insoles designed for impact, soles designed for grip, and thick upper material to withstand the friction of the skateboard while doing tricks. “Even going shopping for skate shoes is tough because they don’t carry our sizes.” “In Winnipeg, the skate shops just don’t really cater to women,” Emilie said. This includes skaters who are trans, queer, female, non-binary, or anyone else in the LGBTQIA2S+ community.Įven finding equipment is a barrier for these women. ![]() Non-traditional skaters refers to those who don’t fit the cis-male stereotype of a skateboarder. For a lot of female and non-traditional skaters, you don’t know of any skater you’ve ever seen that looks like you.” “Every time I had driven by a skate park, I had only ever seen guys. When I wanted to start skateboarding, I didn’t know any other girls that skated,” said Emilie, who is now 25, a sponsored skater, volunteer at The Edge, and one of the women cruising around the park in front of me. She skated for the first time at eight years old but stopped at thirteen because she had no one to skate with. ![]() Maddy Nowosad (she/her) is a 21-year-old volunteer at The Edge Skatepark (the only indoor skatepark in Winnipeg) and founder of The Other Skaters zine and community. Two of these skaters are Maddy and Emilie, skaters recently introduced to me by a mutual friend. The wheels leave the concrete floor with ease, the board appearing to know exactly how to spin in the air and return back to its position, like an extension of the human upon it.ĭefinition of zine by Merriam-Webster / SIERRA PRIES On many, long hair comes out from beneath their helmets, flowing down their backs as they ebb and flow around the space. In 2018, Mackenzie Wagoner wrote in Vogue, “The gender bias in skateboarding has been steadily closing, thanks to a generation’s worth of hard-won victories, harder work, and spectacular talent by its female stars.” On a grand scale this may be true, but what does this look like in the skateparks and skate scenes locally? How does this impact the young men, women and non-binary folk spending hours hitting the pavement?Ī diverse group of skaters move throughout the skate park, scattered across concrete steps, ramps and rails. “Nope… There weren’t any girls on the Girl team,” said Emilie. “I thought, ‘Girl, that’s me! It must be associated with girl skaters and there must be girls on the brand’s skate team!’” “That was the first skateboard brand to ever stand out to me,” said Emilie. “But then, I bought a car, and was literally just like, fuck it – I’m gonna go buy a skateboard off Kijiji.” The best part? The board brand was called Girl Skateboards. Throughout Emilie’s teenage years, they were concerned skateboarding would take her away from her other sports and didn’t like the way she dressed because of it. You’re just gonna get hurt.’ So, I never did,” said Emilie. ![]() “I always wanted to, but my parents were like ‘Girls don’t skateboard. Twenty-year-old Emilie Rafnson (she/her) finally made the move: she hopped in her car to pick up her first skateboard deck from a Kijiji ad. Content warning: this piece contains vulgar language and mention of sexual assault. ![]()
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8/7/2023 0 Comments Final cut pro 10 subtitles![]() ![]() A second demonstration of closed captioning was held at Gallaudet College (now Gallaudet University) on February 15, 1972, where ABC and the National Bureau of Standards demonstrated closed captions embedded within a normal broadcast of The Mod Squad.Īt the same time in the UK the BBC was demonstrating its Ceefax text based broadcast service which they were already using as a foundation to the development of a closed caption production system. Technical development of closed captioning Ĭlosed captioning was first demonstrated in the United States at the First National Conference on Television for the Hearing Impaired in Nashville, Tennessee, in 1971. WGBH began open captioning of the programs Zoom, ABC World News Tonight, and Once Upon a Classic shortly thereafter. Regular open-captioned broadcasts began on PBS's The French Chef in 1972. Remote control handsets for TVs, DVDs, and similar devices in most European markets often use "SUB" or "SUBTITLE" on the button used to control the display of subtitles/captions. In the UK, modern digital television services have subtitles for the majority of programs, so it is no longer necessary to highlight which have subtitling/captioning and which do not. In New Zealand, broadcasters superimpose an ear logo with a line through it that represents subtitles for the hard of hearing, even though they are currently referred to as captions. The term subtitle has been replaced with caption in a number of markets-such as Australia and New Zealand-that purchase large amounts of imported US material, with much of that video having had the US CC logo already superimposed over the start of it. Their presence is referenced on screen by notation which says "Subtitles", or previously "Subtitles 888" or just "888" (the latter two are in reference to the conventional videotext channel for captions), which is why the term subtitle is also used to refer to the Ceefax-based videotext encoding that is used with PAL-compatible video. The equivalent of captioning is usually referred to as subtitles for the hard of hearing. ![]() The United Kingdom, Ireland, and most other countries do not distinguish between subtitles and closed captions and use subtitles as the general term. Also, the term closed caption has come to be used to also refer to the North American EIA-608 encoding that is used with NTSC-compatible video. Captions aim to describe to the deaf and hard of hearing all significant audio content-spoken dialogue and non-speech information such as the identity of speakers and, occasionally, their manner of speaking-along with any significant music or sound effects using words or symbols. ![]() Subtitles assume the viewer can hear but cannot understand the language or accent, or the speech is not entirely clear, so they transcribe only dialogue and some on-screen text. In the United States and Canada, the terms subtitles and captions have different meanings. On the other hand, the terms open, burned-in, baked on, hard-coded, or simply hard indicate that the captions are visible to all viewers as they are embedded in the video. ![]() The term closed indicates that the captions are not visible until activated by the viewer, usually via the remote control or menu option. HTML5 defines subtitles as a "transcription or translation of the dialogue when sound is available but not understood" by the viewer (for example, dialogue in a foreign language) and captions as a "transcription or translation of the dialogue, sound effects, relevant musical cues, and other relevant audio information when sound is unavailable or not clearly audible" (for example, when audio is muted or the viewer is deaf or hard of hearing). Other uses have included providing a textual alternative language translation of a presentation's primary audio language that is usually burned-in (or "open") to the video and unselectable. Both are typically used as a transcription of the audio portion of a program as it occurs (either verbatim or in edited form), sometimes including descriptions of non-speech elements. A similar symbol depicting an ear (slashed or not) is used on television in several other countries, including France and Spain.Ĭlosed captioning ( CC) and subtitling are both processes of displaying text on a television, video screen, or other visual display to provide additional or interpretive information. The symbol was used on road signs to identify TTY access. The "Slashed ear" symbol is the International Symbol for Deafness used by TVNZ and other New Zealand broadcasters, as well as on VHS tapes released by Alliance Atlantis. ![]() ![]() Merely register on the site with a free account and start streaming lots of popular movies and TV reveals whenever you want. Tubi TVĭon’t intend to invest in month-to-month costs memberships for streaming movies and TV shows online? Then, Tubi TV is a reliable solution to your woes. Top 26+ Best Popcorn Time Alternatives For HD Movies Streamingīelow, you can find the best Popcorn Time alternatives or sites like Popcorn Time for HD movies streaming. The best web apps similar to Popcorn Time have just been named. You’ll be happy to know that Popcorn Time isn’t the only option. We are happy to announce the names here because our team collected them after much thought and hard work. The best Popcorn Time apk app alternatives have been revealed. If you use Popcorn Time a lot, we recommend using a VPN to stay safe. It makes you invisible in a place where you could otherwise be found. ![]() VPN creates a safe tunnel for your internet activities. A Popcorn Time VPN is very important because it keeps the government from spying on you and could keep you from getting dangerous DMCA notices. If Popcorn Time is down or unavailable, and you want to find a Popcorn Time alternative for Android, you know right away where to look.īefore we talk about Popcorn Time alternatives, we want to tell you how to use Popcorn Time or Alternatives to Popcorn Time the best way possible. Because of this, it’s good to know the best online alternatives to Popcorn Time if you want to binge-watch. The Popcorn Time website was previously shut down for the same reason. What else do you need? However, the very nature of Popcorn Time app apk makes it seem a little strange and could make it a target for copyrights trolls. Popcorn Time is a platform that lets you stream unlimited content for free. Popcorn Time is heaven for movie and TV show fans. ![]() ![]() ![]() Use the same spellcasting rules presentedĬlasses and prestige classes introduced in the Player’s Handbook Spell Compendium deals exclusively with spells used by the Open and place Spell Compendium next to your Player’s HandbookĪnd use both books’ spell lists for your character’s class to make When selecting spells for your character, simply It works just like Chapter 11: Spells in the Player’s put it into play right away. That spells, don’t hesitate or wait for the perfect moment the bestįact might be a little intimidating, but Spell Compendium is way to get the most from this or any rules supplement is toĮasy to use. This book puts over a thousand spells at your fi ngertips. USING THIS BOOK Whichever way you choose to introduce Spell Compendium Wands, scrolls, and other magic itemsĪlso present great ways to introduce the spells you want yourĬharacter to cast or you want to see cast by your players’ PCs. You’ll fi nd something magical on every one.Īted by a PC or NPC. Spells might be discovered in lost books of lore or newly cre. After reading it, open this book to any page This introduction describes the features of this book andīeen cast in the presence of the PCs before. Possessed the ability to cast the spells but they simply hadn’t The simplest way to introduce the spells in this book to yourĬasters form a cornerstone of fantasy, and Spell CompendiumĬharacter or your campaign is to have a character choose themīuilds on that cornerstone by presenting over a thousandĪnd cast them in play. Power, for they are the signs of spellcasting. In the DUNGEONS & DRAGONS game, these are the earmarks of Twisted hands making bizarre gestures-it sounds crazy, but Pockets full of bat guano, incomprehensible speech, and don’t devote themselves to a particular deity. Introduction fi t, or leave the domains as options for generalist clerics who You can assign the domains to deities as you see Any similarity to actual people, organizations, places, or events is purelyĬoincidental. Prohibited without the express written permission of Wizards of the Coast, Inc. Any reproduction or unauthorized use of the material or artwork contained herein is This material is protected under the copyright laws of the United States of America. Distributed worldwide by Wizards of the Coast, Inc. Distributed in Canada to the book trade by Fenn Ltd. In the United States to the book trade by Holtzbrinck Publishing. Distributed to the hobby, toy, and comic trade in the United States and Canada by regional distributors. All characters, character names, and theĭistinctive likenesses thereof are property of Wizards of the Coast, Inc. Other Wizards of the Coast product names, and their respective logos are trademarks of Wizards of the Coast in the U.S.A. ISBN: 0-7869-3702-5 First Printing: December 2005 ISBN-13: 978-0-7869-3702-8ĭUNGEONS & DRAGONS, D&D, DUNGEON MASTER, d20, d20 System, WIZARDS OF THE COAST, Player’s Handbook, Dungeon Master’s Guide, Monster Manual, Spell Compendium, all +1-80 Please keep this address for your records To learn more about the Open Gaming License and the d20 System License, please visit U.S., CANADA, ASIA, PACIFIC, EUROPEAN HEADQUARTERS No portion of this work may be reproduced in any form with. This WIZARDS OF THE COAST® game product contains no Open Game Content. This product uses updated material from the v.3.5 revision. Gary Gygax and Dave Arneson, and the new DUNGEONS & DRAGONS gameĭesigned by Jonathan Tweet, Monte Cook, Skip Williams, Richard Baker, and Peter Adkison. For a list of all these sources, see page 285.īased on the original DUNGEONS & DRAGONS® rules created by E. Much of the material in this book was taken from or derived from other sources. STACY LONGSTREET JOSH FISCHER, RANDALL CREWS S E N I O R A R T D I R E C T O R R P G S P E C I A L I S Tĭ I R E C T O R O F R P G R & D I M A G E T E C H N I C I A NĪ R T D I R E C T O R D & D P R O D U C T I O N M A N A G E R S KIM MOHAN LUCIO PARRILLO, MICHAEL PHILLIPPI,ĭ E V E L O P M E N T M A N A G E R DEE BARNETT MICHELE CARTER, KIM MOHAN, JASON ENGLE, CARL FRANK, BRIAN HAGAN,ĬHRIS THOMASSON FRED HOOPER, RALPH HORSLEY,Į D I T I N G M A N A G E R JIM NELSON, WILLIAM O’CONNOR, MATTHEW SERNETT, JEFF GRUBB, VICTOR MORAY AND NYSSA BAUGHERĭ E V E L O P M E N T T E A M N. ![]() ![]() ![]() Again, since SF30th has the original arcade roms, all the added characters and modes are gone. The thing is, the home ports of Alpha 3 (like on PS1, Dreamcast, GBA, etc.) included several more fighters and featured some legitimately cool additional game modes. Which is paradoxically why it is the single most disappointing game in this compilation. SFA3 is an amazing game, undisputedly one of the greatest fighting game of all time. ![]() Attack if you dare, it will crush you! Street Fighter Alpha: Warriors’ Dreams (1995) Verdict: Online and Versus modes are excellent inclusions, but arcade mode sucks. So be forewarned, arcade mode here is straight-up broken. (Which feels like blasphemy, now that I say it out loud, but whatever.)Īlso, it’s worth noting that the this is the original arcade rom for this Super Turbo, which had a notorious glitch that made playing against the CPU crushingly/frustratingly/impossibly hard on even the lowest difficulty setting. If I were to play a lot of SF2 online, I honestly think I’d opt for Ultra instead. (I am not dropping this.) It also includes extra game modes, like Buddy Battle. That version actually lets you map all three punches or all three kicks to a single button, for one thing. Ironically though, Ultra Street Fighter II (on the Switch) might be the more accessible version of this particular game. Though in that scenario, your missing teeth will remind you of my victory! Super Street Fighter II Turbo (1994)Īs one of the other four games you can play online, you are likely to be playing Super Turbo quite a bit. OR you could bring two Switches (with copies of SF30th) over to Mike’s house and we’ll sit down to play Tournament Battle mode. Luckily the default speed isn’t unbearable, but it feels really sluggish after playing Hyper Fighting or Super Turbo. Unlike the home console version, you cannot adjust the game speed. Now I would say that Super is worth playing through the arcade-and maybe even a few rounds of Versus-but unfortunately this, again, is only the arcade rom. And if you happen to have the Nintendo Switch version of SF30th, you can actually recreate this rare experience yourself! You simply need four Switches, each one with its own copy of the game, get everybody together in the same room, et viola, it’s tourney time! So realistically, just like the original Tournament Battle experience in arcades, you will never get to play it. The numerous palette options were actually included because Super had special Tournament Battle mode for networked arcade cabinets. (Cue Cammy’s theme!) Super is the game where every fighter suddenly had eight different colors to chose between, which gave you plenty of fashion options going into a fight. The new characters fit right in with the rest of the roster, and their stages are also incredibly cool. Of all the iterations of SF2, this one is the one I personally played the most (on the SNES though) and it is honestly my favorite. And as we’ll discuss later with the individual games, it is sometimes preferable to emulate the home console versions than the arcade originals.įour new challengers enter the ring: Cammy, Fei Long, Deejay, and T. Maybe they wanted everything-even control limitations-to remain authentic to ye olde arcade experience. Perhaps Digital Eclipse (the develops) left out multi-button mapping because this game is, by design, simply a compilation of arcade roms. But for gamepad players-like us, Kelleher Bros-this is a staggering oversight. Hell, even just doing Zangief’s spinning lariat suddenly becomes a pain in the ass!Īrcade stick purists probably won’t even notice the omission of multi-button options. (Though, to be clear, those are now basically impossible.) EX moves in SF3 are also a lot harder to input. It’s not just complicated techniques-like a Level-3 super combo in Alpha 1&2-that become a chore to perform. The lack of multi-button mapping makes it considerably harder to pull off certain moves on a gamepad. ![]() ![]() ![]() What is the difference between Vibrance vs Saturation in PremiereĦ3. Separating stereo into two separate mono audio files in PremiereĦ2. Can only hear sound audio from one side in Premiere ProĦ1. How does Dolby 5.1 in premiere Pro workĦ0. Stereo sound in Premiere Pro explainedĥ9. Technical audio problems wave not appearing on Premiere timelineĥ8. Shortening extending or looping background music in Premiere Proĥ7. ![]() Customizing our workspace more in Premiere Proĥ6. How to manually sync align video & audio in Premiere Proĥ5. Syncing aligning video & audio automatically in Premiere Proĥ4. How to remove echo reverb from your video in Premiere Proĥ3. Removing background noise like fans aircon fridge hum in Premiere FREEĥ2. Lifting little bits of audio up & down using keyframes in Premiereĥ1. Some audio can’t be fixed in Premiere Proĥ0. Problems using headphones or speakers with Premiere ProĤ9. Organizing our footage & super full screen panel shortcut PremiereĤ8. Getting started in our Audio section of the Premiere Pro courseĤ7. How to duplicate lumetri color onto all clips in Premiere ProĤ6. Framing your video using scale & position in Premiere ProĤ5. Revisiting our talking head monolog to add more sizzleĤ4.
8/7/2023 0 Comments After effects video editing![]() ![]() Strong communication skills to work with the client and incorporate their feedback into the final product. Understanding of branding and marketing principles to effectively promote the product/service Ability to incorporate music and sound effects to enhance the video's impact Experience in creating fast-paced, attention-grabbing content Ability to work with raw footage and turn it into a polished final product ALL IN ONE BUNDLE 600+ Ai Avatars Reel Bundle with Exclusive Bonuses Largest Reels. Proficiency in video editing software, such as Adobe Premiere or Final Cut Pro Google Drive Links For Download Motion Graphics Secret: Animation Principles In After Effects - Google Drive Links - Google Drive. Learn how to open a project in Adobe After Effects, and how to import and organize assets in the Project panel. Get familiar with the workspace and how to create and save your work. ![]() There are so many effects, that it can be daun. Specific skills and experience should include: Learn Adobe After Effect's basic tools and techniques with the Get Started series. Today's video is super stacked because we're going over the top 25 effects that come with Adobe After Effects. footage, an animator could use it for creating cartoons and an editor might. The ideal candidate should have experience in creating visually exciting content that effectively promotes a product or service. Adobe After Effects is considered to be the industry standard when it comes. Make impactful video stories and motion graphics. Video editor needed for a dynamic, fast-paced promotional video under 1 minute in length. The Adobe Express free video editor helps you easily create your own professional and custom videos in minutes, no design skills needed. It is desirable to supplement with infographics. You will also need to find a suitable sound (musical) accompaniment. Additionally, perform color correction, subtitles, etc. It is necessary to create a dynamic cut (at your own discretion) from the provided materials in order to get a meaningful message - to use the services of the company. Use each program’s functionalities to enhance your next video production. Adobe After Effects and Premiere Pro are both powerful applications to use for video editing. Video editing of a short video (30-60 seconds). Premiere Pro: Discover which program is right for your filmmaking project. ![]() ![]() Of course, there are different levels of listening. This lets you gain energy and height, just like someone jumping on a trampoline. They make you feel better not merely passively absorbing, but by actively supporting. They are someone you can bounce ideas off of - and rather than absorbing your ideas and energy, they amplify, energize, and clarify your thinking. While many of us have thought of being a good listener being like a sponge that accurately absorbs what the other person is saying, instead, what these findings show is that good listeners are like trampolines. Someone who seems combative or critical and then tries to give advice may not be seen as trustworthy.) (Someone who is silent for the whole conversation and then jumps in with a suggestion may not be seen as credible. Another possibility is that we’re more likely to accept suggestions from people we already think are good listeners. This finding somewhat surprised us, since it’s not uncommon to hear complaints that “So-and-so didn’t listen, he just jumped in and tried to solve the problem.” Perhaps what the data is telling us is that making suggestions is not itself the problem it may be the skill with which those suggestions are made. ![]() Good listening invariably included some feedback provided in a way others would accept and that opened up alternative paths to consider. Good listeners tended to make suggestions.Good listeners may challenge assumptions and disagree, but the person being listened to feels the listener is trying to help, not wanting to win an argument. That might make you an excellent debater, but it doesn’t make you a good listener. By contrast, poor listeners were seen as competitive - as listening only to identify errors in reasoning or logic, using their silence as a chance to prepare their next response. In these interactions, feedback flowed smoothly in both directions with neither party becoming defensive about comments the other made. Good listening was seen as a cooperative conversation. ![]() Good listening was characterized by the creation of a safe environment in which issues and differences could be discussed openly. Good listeners made the other person feel supported and conveyed confidence in them. The best listeners made the conversation a positive experience for the other party, which doesn’t happen when the listener is passive (or, for that matter, critical!).
8/7/2023 0 Comments Free iphone restore software![]() ![]() It certainly is pricey, but if you've accidentally deleted an important photo or file, you know that some things are priceless. : Dr.Fone isn't perfect, as it didn't recover all of my deleted files intact, but it came close.But it needs to be mentioned that the free version only shows you all the recoverable files and lists, but does not empower you to retrieve anything. Besides, the ability to preview all lost data from iPhone, iTunes/iCloud backup before you recover them is also an advantage, after all, gives more security for you before the final data recovery. : Once you connect the device to the computer, the data recovery tool would automatically scan for all types of lost files for recovery.If you have any interest to our video community, check Wondershare Video Community Lost files can be previewed before the recovery process.The interface is clear, helpful, and easy for all to use.More interesting video, please go to Wondershare Video Community To help you further, we have included some reviews. According to the items above, let's help by listing 10 free iPhone Data Recovery Software programs for use with Windows or Apple Mac OS. Now, you know how to choose an effective iPhone data recovery program. Intuitive interface and no requirement for technical skills. File types for recovery, able to recover contacts, messages, notes, photos, video, etc. Compatibility, working for all iOS versions, at least the version working on your iPhone. It determines whether you can get back your data or not. Then how can we choose a good iPhone data recovery program? The best iPhone data recovery software should contain the following features: Once you made the wrong choice, your data will be risky. It makes people in real need hard to make a choice. ![]() There are many so-called free iPhone data recovery software on the market. How do I choose the best free iPhone data recovery software? ![]() ![]() ![]() Company Promotionĭo you work for a company who makes ChromeOS devices or accessories? Contact us via modmail to get a verified flair.Īre you interested in introducing your products to the community through a giveaway or another means? Reach out through modmail! RulesĬLICK HERE for the subreddit rules. Would you like to be verified as an employee? Contact us via modmail. Step 2: Add Group Policy Object Editor and then expand Local Computer Policy. on Windows 10 open Command Prompt, on macOS, open Terminal. Open a command line tool on the system e.g. Make sure that your own system is able to access the internet and have someone verify the same on the remote system. Hey I just looked and as you can see here I have no option that has no name and I'm currently connected to the mac at the time of this screenshot. There should be an option that has no name. To check, follow these steps: Step 1: Press Windows Key + R to open Run. Check connection The internet connection on both the host and the remote system must be stable. Check the volume mixer- on the Windows Side. Please note that these individuals represent their own opinions when participating in the subreddit, not Google's, unless it's explicitly stated otherwise. The first way we recommend is to check if you sound is actually enabled in Remote Desktop Connection/Session or not. Both Apple and Google do not allow this even if we could make this. They can be identified by their blue "Verified Googler" user flair. computer, running batch files, copy to clipboard and more. You may occasionally see a Google employee comment on the subreddit. As a lightweight OS designed primarily for web and app-based computing, it is fast, secure, and resilient to viruses and malware. Join our Discord server! What is ChromeOS?ĬhromeOS is Google's Linux-based operating system built around the Chrome web browser, complete with the ability to run Android apps and a powerful Linux VM. ![]() |
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